The inimitable tone of the Hammond and Leslie has never gone out of style; and it never will. For years, this essential voice has been out of reach for many, due to console and Leslie size, weight, and high prices for quality vintage instruments, but no more.

Its light weight and compact size even takes the hassle out of cartage and setup. With the model XK-5HAMMOND has closed the final millimeters of the realism gap—in terms of both sound and feel—in an instrument far more portable and affordable than a vintage Hammond organ.

We are very proud of this instrument for providing an absolutely authentic playing experience that meets the demands of even the most seasoned B-3 purist. It truly is the 21st century evolution of an indelible classic. The Hammond Xk-1c is the smallest, lightest Anyone who wants the genuine Hammond sound in their keyboard rig can now have it.

All of those hurdles are now clear. The Xk-1c makes it happen! The Sk Series Stage Keyboards have become modern classics, beloved by keyboard players of every genre. An expandable Voice Library is available free from the Hammond Website. You may also direct connect a physical Leslie Speaker via the 8pin dedicated Leslie Jack. Laurens Hammond's original Organ invented in had an intricate electro-mechanical mechanism that used 96 Quarter-sized wheels spinning on driveshafts powered by his patented synchronous motor.

The wheels were notched according to pitch, and an electromagnetic pickup much like that on an Eelectric Guitar sensed those notches and rendered a musical note. The Drawbars combined those harmonic tones to produce the inimitable Hammond Organ sound. Hammond's adherence to quality has allowed many vintage instruments to remain vital today, and they are among the most desired and imitated musical instruments ever, but at a high cost.

The Electromechanical Hammonds require expensive maintenance, regular doses of oil, and were of great weight; not easy to move at all. The wheels are always "spinning". When a note is played, the tones pass, just as water through a faucet. The random starts of each wave played allow for phase interaction, producing the rich tone so prized in the vintage Hammonds. The Digital realization of Laurens Hammond's System allows sophisticated control of every facet.

Each Digital Tonewheel can be voiced for Volume, Timbre, Motor Noise and Leakage; enabling the musician to tailor the Modern Hammond to match the characteristics of any Vintage Hammond, or to create their own vision. A variety of Macro Profiles allow the user to quickly select the most popular "kinds" of Hammond, from Showroom-New to Road-Worn Antique and all points between.

hammond organ models

The Tonewheel Generator wasn't the only great invention of Laurens Hammond, and no Hammond Organ would be complete without the full spectrum of ingredients that comprised Mr. Hammond's genius design. This concept allowed one or more keyboards to control the pitches of many pipes within one set or "rank" of pipes.

List of Hammond organs

Adopting the harmonic standards and nomenclature of the Pipe Organ, Mr. Hammond's design assured that any organist would be able to play his instrument without a steep learning curve. Unlike the Pipe Organ, Mr Hammond's design allowed variable volumes of each Harmonic represented by each drawbar. This variation gave the musician millions of combinations of harmonics, and assured that every Hammond player would be able to summon a unique voice.

An extra level to the expression a Hammond Organist had at their fingertips was added because the Drawbars could be manipulated in real time. One of the most distinctive parts of the Hammond sound is the shimmering "Chorus Vibrato".Stagepas i - NEW! Hammond C3-Excellent Condition-Sold! Hammond A Organ-Now Available!

hammond organ models

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His father operated a tavern in Logan Square. Lenny was married with five children. His eldest son, Lenny, Jr. Also, a control panel was located above the drawbars with potentiometers, drawbars reiteration, and other controls. There was also a foot switch mounted on the left side of the expression pedal that threw the tone wheel generator flat to the notes being played, useful for special effects. Releasing the switch restored the generator to normal speed. He used Leslie speakers Model H.

The console was finished in custom white. His rendition of Mule Train using the tape-loop and his voice through a microphone was famous. In the early s, he withdrew the four conventional tone cabinets and added Leslie speakers. Inhe started recording on the Hammond X with full orchestral accompaniment. Inhe changed to the Hammond Concorde. Interestingly, Len was the only artist to record on the Hammond Piper, mainly for muted trumpet and harpsichord sounds.

Lenny Dee had a style that was uniquely his own. He played with scintillating animation and his rhythm was outstanding. He played in a traditional jazz style of the boogie and swing type. His drawbar settings were unconventional and produced interesting effects. In later years, an orchestra was added to his recordings and he played in a more conventional style. He was known in the s as a great country organist. Petersburg Beach, Florida. For ten years, he delighted organ lovers and tourists alike with his scintillating style, little sung ditties, jokes and hats.

InLen toured the nation and performed on a cruise ship using a Hammond-Suzuki Eleganteafter which he retired in Gold album — Spinning Wheel Frank Pugno Reports. It is with great sadness that I inform you of the death of Lenny Dee. He died on Sunday, February 12th at home under hospice care.

I knew him personally and traveled to Florida frewquently to see him. His 1 song was Plantation Boogie in He was the last surviving of the immortal greats of the Hammond Organ. He was The original Hammond. Similar in appearance to the B series but with a shallower case. No vibrato or percussion. Had a tremolo which provided an amplitude modulation to the sound.

When the organ was sold without the chorus generator, it was called the AB. Basically the guts of the A series in a B console. Interestingly, this means that there were no organs called the "Model B". A Chorus Generator was added which provided slightly off-pitch tones to imitate more closely the sound of a pipe organ. A pole!

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Classical or concert organists wanted a note radial arc Pedal Clavier instead of the flat note pedal board Hammond designed. The Model E was designed with the AGO pedals, an expression pedal and pedal position indicator for each manual, additional pedal drawbars, and four toe piston presets.

The reverse-colored preset keys were replaced with typewriter like buttons. B series console with a very tall case to provide room for an Aeolian-Skinner player mechanism. Churches were reluctant to purchase the open-legged consoles of the A and B series, so the C console was developed to provide an appearance deemed more acceptable in a church.

Throughout this model's life it was absolutely identical to the B series. C models, particularly the C-3, were more popular with English players than the B This is a C console with a Chorus Generator.

D for government issue only. Some of these were surplused after the war. The tremulant effect found in pre-wwII consoles was unconvincing and the chorus generator of the BC expensive. So John Hanert developed the Scanner Vibrato. Model M First Hammond organ intended for the home market. A B series stripped down to the essentials. No presets. Built-in speaker and 11 watt amplifier. Similar in appearance and features to the CV except the console was widened to provide room for a key radial pedal clavier.

Has a monophonic pedal solo unit to provide 32' voices, reed and string voices.To learn more about all of the Suzuki musical products, click here. Laurens Hammond's original Organ invented in had an intricate electro-mechanical mechanism that used 96 Quarter-sized wheels spinning on driveshafts powered by his patented synchronous motor. The wheels were notched according to pitch, and an electromagnetic pickup much like that on an Eelectric Guitar sensed those notches and rendered a musical note.

The Drawbars combined those harmonic tones to produce the inimitable Hammond Organ sound. Hammond's adherence to quality has allowed many vintage instruments to remain vital today, and they are among the most desired and imitated musical instruments ever, but at a high cost.

hammond organ models

The Electromechanical Hammonds require expensive maintenance, regular doses of oil, and were of great weight; not easy to move at all. The wheels are always "spinning". When a note is played, the tones pass, just as water through a faucet.

The random starts of each wave played allow for phase interaction, producing the rich tone so prized in the vintage Hammonds.

hammond organ models

The Digital realization of Laurens Hammond's System allows sophisticated control of every facet. Each Digital Tonewheel can be voiced for Volume, Timbre, Motor Noise and Leakage; enabling the musician to tailor the Modern Hammond to match the characteristics of any Vintage Hammond, or to create their own vision.

A variety of Macro Profiles allow the user to quickly select the most popular "kinds" of Hammond, from Showroom-New to Road-Worn Antique and all points between. The Tonewheel Generator wasn't the only great invention of Laurens Hammond, and no Hammond Organ would be complete without the full spectrum of ingredients that comprised Mr.

Hammond's genius design. This concept allowed one or more keyboards to control the pitches of many pipes within one set or "rank" of pipes. Adopting the harmonic standards and nomenclature of the Pipe Organ, Mr. Hammond's design assured that any organist would be able to play his instrument without a steep learning curve.

Unlike the Pipe Organ, Mr Hammond's design allowed variable volumes of each Harmonic represented by each drawbar. This variation gave the musician millions of combinations of harmonics, and assured that every Hammond player would be able to summon a unique voice. An extra level to the expression a Hammond Organist had at their fingertips was added because the Drawbars could be manipulated in real time.

One of the most distinctive parts of the Hammond sound is the shimmering "Chorus Vibrato". It adds a silken quality to the sound by adding a second, slightly detuned pitch to the original in the Chorus Mode, and repeat-modulating the pitch slightly in Vibrato mode. Few musicians realize the Chorus effect pedal widely used for Guitars and Electric Pianos had its genesis as a component of the Hammond Organ.

Hammond's original design used an electromechanical apparatus that looked much like the distributors you would find in the automobiles of the day, and ran off the same synchronous motor that powered the Tonewheel Generator. As with the Tonewheel Generator, Digital control allows a wide range of adjustment that was simply not possible on the original. As the Antique organs aged, the components acquired their own unique qualities.

This effect added a high "attack" to the Organ tone at either the octave or the twelfth, with a fast note decay. This sound was reminiscent of an xylophone or clave, and became immensely popular, immediately. Perc gave the Organ a bright highlight, and every generation of music has embraced this sound. Controls for the Perc have the classic nomenclature, familiar to anyone who has ever played a Hammond. On the B-3mk2, Perc is executed in the Digital realm, allowing a wide range of controls the organists back in the day did not possess.

The 1' drawbar muting, characteristic of the Vintage Organs can be defeated, as can the drop in Drawbar volume level that accompanied the engaging of the Percussion voice. You can control the volumes and decay times as well. The inclusion of this obscure feature demonstrates the commitment to authenticity Hammond has brought to the B-3 mkII.

Inside the Vintage Hammond B-3, on one side of the tube preamp, there was a "Screwdriver Pot" with the engraved legend "Tone". This control was adjusted by the Technician installing the organ in order to tame the treble response in the instance of the organ's installation in a Church or Mortuary, where a more muted organ was desired. The control was a cocktail of upper Mid and High frequencies the proportions of which were, until recently, held secret.

The "Tone" control was basically a "hi cut" control and only went "down". You could not direct the control to go "up" for "boost".Click here for a translation of the Danish text. I have tried to keep the wording, peculiar as it is, maybe because it was at one time translated from English to German and then Danish. Below, the technical specs for the two models. They are identical with the exception of the built-in Leslie in the T Click here for translation.

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Here is a scan of an original oiling chart with installation instructions from a T organ. The T-series organs came in various models and styles. Below is a rough break-down of the different T-series types. Series 10 7-pin Early organs had the flat 'pie' scanner as found in other Hammond organs.

Later organs had the 'drum' scanner see T pictures on the next page T As above but with built-in Leslie Yes T Institutional version of the T Equipped with a locking top, light over the control tabs and a slightly different percussion section see notes.

No scanner vibrato. Also, the vibrato scanner and related circuitry is not present. Presets and percussion stops are tailored to liturgical music styles. End block control tab functions relocated to the flip tabs above the keyboards. A special variant without Leslie, in an open bottom style cabinet was named TTR see next page T Same as T but with added Rhythm II 'drawer' device installed from the factory.

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No see note Leslie 9-pin model or Electrically similar to a T but with some features that would later be incorporated in the T series - such as split vibrato and a stock Leslie socket. A set of small tone cabinets one regular speaker and one special Leslie-like speaker was part of the package.

Click here to see a catalogue page showing it. T Major design change for many circuits. Could be ordered with a built-in cassette deck. Yes Some models came with a cassette deck. Like all other Hammond organs of the X-YZZ model type, where the X is the model family, Y is the sub-type if applicable, otherwise this is just a '1' and ZZ is the cabinet style, the different T-series had several cabinet styles offered - some were only made in the US, some only outside of the US.

T'43' for Early American and '82' for Mediterranean. T organs fitted with a cassette deck had a 'c' added to the model designation e. The number system was not completely consistent between the different model families, although the '62' designation was used for institutional models like the T, M and E Click here for a page out of a Hammond catalogue showing different styles of the T-series organs.

Click here for page 2. This series of tonewheel Hammonds is perhaps not so sought after anymore. Nevertheless they were made in many different models and in big numbers back when organs had electro-magnetic generators. The T-series could be called a solid state M or maybe an L with scanner vibrato and was introduced in early Hanert [1] and first manufactured in Around 2 million Hammond organs have been manufactured, and it has been described as one of the most successful organs ever.

Tonewheel organs generate sound by shaped mechanical wheels, that rotate in front of electromagnetic pickups.

Model A Hammond with 142

Each tonewheel assembly creates tones with low harmonic content, close to a sine wave. Inside the coil is a permanent magnet. As the profile of the tonewheel pass by, the strength of the magnetism changes—when the highest part is closest to the tip of the magnet, the magnetism is strongest.

As the magnetism varies, that induces an alternating current AC in the coil, which becomes one of the frequencies used in harmonic synthesis. Two models in Church-styled cabinet were made under military specifications, and named G G for "Government contract", with chorusand G-2 with vibratoto be installed in chapels and officer's messes of U. Army and Navy.

Vacuum tube musical instruments mean electronic musical instruments generating sound with vacuum tube -based electronic oscillators. Hammond Organ Company commercialized it in the lates as Novachord — and Solovox — Especially, new designs introduced on Novachord — subtractive synthesis and frequency divider — were immediately followed by many manufacturers of electronic organs and polyphonic synthesizers during the ss. However, Hammond Organ Company did not adopt these on main products until the lates, except for S series chord organ — and "Solo Pedal Unit" on RT series and D — Monophonic attachment keyboard instrument, intended to accompany the pianos with lead voice of organ and orchestral sound.

HAMMOND PORTABLES

It consists of two units — a 3-octave mini keyboard attaching under the piano keyboard, and a tone cabinet including electronic sound generator, amplifier and loudspeaker.

There are three minor changed models: [35]. Solo Pedal Unit or Pedal Solo Unit provides a monophonic bright bass sound on RT series and model D consoles, layered with tradiotional polyphonic tonewheel pedal sound. Although Solo Pedal Unit is highest-note priority and it can play only one note at a time, the players can play polyphonic bass lines by the help of traditional pedal sound. The sound generator is electrically similar to Solovox Model L. Although there are five revisions of units, these are interchangeable on all RT series consoles.

First chord organ.

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Its " easy to play " [39] style initiated a new market segment leading to today's home keyboard market.